3D Mapping / Projection (Year 3)

Seoul 9.30am Saturday at Bangrang Hostel + ACM Student Member

All,

Our first meeting in Seoul:

Saturday 11, 9.30am at Bangrang Hostel
397-14 Jungnim-Dong Jung-Gu
Chungjeangno Station (Green Line) Exit 5
82-2-6414-2246
http://www.bangranghostel.com/

You should receive confirmation letter from SIGGRAPH.

Print it out and make sure you become a student member of ACM.

https://campus.acm.org/public/qj/QuickJoin/qj_control.cfm?form_type=Student

Whose phone will be on roaming?

101 things you don't learn in architecture school

http://www.archdaily.com/93786/the-indicator-101-things-i-didn%E2%80%99t-learn-in-architecture-school/

90: In one’s life there are a finite number of all-nighters one can pull. You probably used them all up in school.

interesting works

http://www.archdaily.com/91335/on-the-way-to-the-sea-derman-verbakel-architecture/

http://www.creativeapplications.net/maxmsp/interactive-swarm-space-c-maxmsp/

Saturday 10am at TCDC

change location, there's a talk by 2 architects at BACC tomorrow:

Model a’la Experiment

check out the vdo

http://www.archdaily.com/91819/video-experiment-process-model/

 for more info visit:

http://www.svingel.info/model-ala-experiment/

AA Lectures Video Archive

http://www.aaschool.ac.uk/PUBLIC/AUDIOVISUAL/videoarchive.php

check them out when you get a chance

NO tutorial this Friday - Meet Saturday, BACC, 11am

NO tutorial this Friday,

we'll meet at BACC this Saturday, Nov 27 at 11 am.

Work hard - all day and night

and show me lots and lots of works + FINAL presentation

Guest tomorrow for desk crit

We have a guest coming in for desk crit tomorrow.

She's an architect and an expert in sustainable and environmental design

and currently teaching at Chiang Mai University.

Please give her a warm welcome.

WaWaa Plan

plan-draft#2


plan-draft#1

RUN BKK!!!!

This Sunday y'all!

for more info, check:

http://www.bkkmarathon.com/eng/index.php

http://www.bkkmarathon.com/pdf/Brochure_Eng-2010.pdf

exciting!

Grohe - Tuesday November 23 - 9am

Grohe factory visit

Tuesday, November 23

9AM

They will come and pick us up.

DON'T BE LATE

nice work

http://boiteaoutils.blogspot.com/2010/11/meat-and-2-veg-by-ali-qureshi-muhammad.html

http://boiteaoutils.blogspot.com/2010/11/cult-of-infinite-by-isaac-barraclough.html

http://www.creativeapplications.net/objects/tessel-the-details-objects-c/

SITE MODEL 1:100 for End of Semester Review Dec 7

Make group site model at a scale of 1:100

EXP1.2

Tuesday, NOV 16 - SITE MODEL

On Tuesday, NOV 16:

Bring site models (PHYSICAL and DIGITAL)

...yes, you can share the site models

Ready for Seoul

http://www.cnngo.com/seoul

Bangkok Marathon (Nov 21) + Fat Fish for Friday (Nov 12) ???

do you want to:

- go out for dinner this Friday Nov 12 at Fat Fish, after studio at 6pm?

   http://hungryinbangkok.blogspot.com/2010/07/fat-fish.html

- join Bangkok Marathon, Sunday Nov 21 at 3am?

   http://www.bkkmarathon.com/eng/index.php

   you need to register for this

let me know

Transforming Time by Sven Lutticken

In response to Fai's post,

this is the article that she read that y'all should read it too:

http://www.mitpressjournals.org/doi/pdf/10.1162/GREY_a_00009

transforming time by SVEN LÜTTICKEN part 2

Deleuze give the idea of movement-image and time-image through many artist which suggest that it's not just only explore in a piece of art but it can show in a cinema work. In transforming time, stated that "libration of time" can be explore to any cinematic time which in the article i study that time can be capture in 2 form: the immobile image and the cinema image which in the still image. Bergsoniam duration show that All layers of time coexist in the virtual state, open to actualization. One can plunge into and access this present past, this eternity. “The appeal to recollection is this jump by which I place myself in the vir- tual, in the past, in a particular region of the past, at a particular level of contraction.”16 In this way, pure recollection becomes recollection- images, which become actualized or embodied. which mean in the movement-image time is flow by the action and effect of that action In the time-image of the nou- velle vague, by contrast, the image becomes erratic(uncertain), liberated(free) from the sensory motor schemata ( the action that suppose to be). Deleuze himself along with Godard talk about Hitchcork movie. Deleuze allegorizes the break between movement-image and time-image by means of paralyzed characters in Hitchcock films. Godard points out that what remains is not the narrative, the classical construction of Hollywood cinema but disjointed moments—mental memory-images.

In the last half of essay talk about the cinema that somehow slow the shoot till it become like a series of stills image which Barthe state that “authentically filmic” cannot be found in moving image and also reading time is free; for film, it is not so, since the image cannot move faster or slower without moving its perceptual figure. My aspect about this article is time is free, time in the movie leave the moment that show the action or emotion of charactor in a slow movement than actual. Time in cinema is like a memory that contain in it. Time was mobile according to Bergson theory it can be short or long and it cant be measure, once you try to measure the time it will be gone. The time which Bergson explaining called "duration" which can only ever be grasped through a simple intuition of the imagination.

transforming time by SVEN LÜTTICKEN part 1

SPECIAL QUOTE

in which the images of cinema are seen not as representations but as “light-matter in movement,” as “events of luminous matter.”

how cinema finally realizes a liberated time-image, Bergsonian duration is defined less by succession than by coexistence.All layers of time coexist in the virtual state, open to actualization. One can plunge into and access this present past, this eternity. “The appeal to recollection is this jump by which I place myself in the vir- tual, in the past, in a particular region of the past, at a particular level of contraction.”16 In this way, pure recollection becomes recollection- images, which become actualized or embodied.

he movement-image is still regulated by the “sensory-motor functions” and dominated by the human body and its motions and affects. In the time-image of the nou- velle vague, by contrast, the image becomes erratic, liberated from the sensory-motor schemata.

Barthes’s counterintuitive argument is that the “authentically filmic” is not in fact to be found in the moving image but in frame enlarge- ments, which offer possibilities for reading films against the grain, disassembling and permuting them, undermining linear narrative— the film’s “logico-temporal order”—and allowing for a different flow of images, for “counter-narratives.”

However, most architectural photographs by Förg are devoid of people, focusing on the modernist and/or fascist architecture itself, in black and white or color. Often, the angles from which the pictures have been taken suggest fleeting glances, a subjective point of view, making the spectator into a cinematic witness.

“our culture offers us two different models for gaining control over time—the immobilization of the image in the museum and the immo- bilization of the viewer in the cinema.

"liberation of time"

Like Cornell, Warhol in his early films suggests that the narrative of the liberation of time might bite its own tail, that the end might be found in the beginning. Deleuze notes that in the time-image “move- ment can tend to zero, the character, or the shot itself, remain immobile; rediscovery of the fixed shot.”

Diller Scofidio + Renfro

http://dsrny.com/

amazing website

Review w/ Aj Mark, Tue Nov 9 at 9am + post work progress

Review with Aj Mark starts at 9am

on next Tuesday Nov 9

+ post work progress

TIME IMAGE EXPERIENCE Stalker - the pool sequence (Tarkovsky-Artemiev)

Deleuze's Time Image: Ozu's Late Spring (1949)

Movement-Image & Time-Image in Deleuze's Philosophy of Cinema

John Maeda: Looking for Superman

Nice talk, good insight on what y'all doing right now...

Studio Meeting

If you have any suggestion for place to meet that is / has:

• quiet
• clean
• good lighting condition
• comfortable temperature
• no funny smell
• large table / surface
• Internet connection
• power outlet
• close to MRT or BTS
• inspiring

then let me know

Transportation + Circulation

http://vimeo.com/9697015

Tuesday, Nov 2 - meet at BACC

Today (Sunday, Oct 31) is the last day for EU Film Festival at BACC

check it out when you get a chance:

http://bacc.or.th/film/detail/guid/f75b873596454eba8e88b86b9ca844cf
http://www.deltha.ec.europa.eu/eu-film-fest-2010.html

Tuesday, Nov 2

we'll meet at BACC from 1pm

bring all works (drawing/model/etc) you plan for pinup with Aj Mark

Friday, Nov 5

Finish the work / rehearse presentation

Tuesday, Nov 9

Start pinup at 9am

LAW AND REGULATION

urban flux

AA Paris Workshop

Reply to this post with your full name and ID if u want to join the workshop

thanks

Dimensions

http://howbigreally.com/

from Flavorwire

The BBC has recently launched an experimental web project called Dimensions, which allows users to overlay ancient cities, famous festivals, and environmental disasters over modern maps to get a sense of scale. The site can be used to try to better understand the impact of both catastrophes, like the flooding in Pakistan, and everyday occurrences, like the growth of urban spaces...

Site analysis: Microclimate

Finish Site Analysis by Friday Oct 29

Finish Site Analysis by Friday Oct 29
A3 size

Pinup with Aj Mark - Nov 9

I ordered the book called " A thousand plateaus'

and should get it within couple weeks

good one Bow...now others cant read my post

Rhino + Grasshopper + Arduino + Firefly

http://designplaygrounds.com/projects/responsive-skin-arduino-grasshopper-firefly/

watch the video at the end...

you can also do it too with

Maya + Phidgets or AR tags

so...just do it

what i'v found

http://www.app.co.th/category2.php?gid=1&sgid=7

MIDTERM : Review 101012

AA Paris Workshop Application

Let me know by next Tuesday Oct 26 before submitting the application.


http://aaschoolparis.tumblr.com/post/1294176932

download the PDF and e-mail to:

visitingschool@aaschool.ac.uk

and CC to me and:

info@jorge-ayala.com

Notes for Space in Memory/ Hollow Form

Space in Memory

comments on video : ...

Ajarn Nueng:
 the idea of memory, interaction and perception are all very theoretical and philosophical, need  something to ground it in, it is still afterall a design studio and design project in the end.
Ratatouille: see something, and is reminded of something else
Why physical model, why not digital model where more ideas could be tested easier

Ajarn Mark:
The geometry and form of the triangle pieces, why specifically the chosen geometry. What is the logic and the order behind the design.

Ajarn Camille:
Should not just quote Henri Bergson, should study and read Henri Bergson in more details.

Ajarn Narin:
....


Hollow Form
- Not pushing the idea far enough
- research on precendents was very strong

Ajarn Narin:
The research was very good but need to see the ideas being pushed more in terms of execution, why stop with cement plaster? Push it further to test new things

Ajarn Mark:
All the examples shown in the research was about revolutionary techniques and materialities, however, the current project uses already existing material and already existing techniques. Should really push it more than what is already existing.

Ajarn Kesate:
Felt that the project is made up of two parts, Bow's hollow form and Wawaa's modular concept. The idea did not really merge on execution, more like two projects rather than one.

Huahin Site Analysis: work distribution

Tony-culture+history

Nill-proximities(zoning+landmark)

Chy-proximities(transportation+circulation)

Belle S-microclimate+site condition

Bow-Infrastructure

Fai-laws&regulations

Champ-economic networks

Palm-density+urban flux

MIDTERM : Bell and Chy's Midterm photos

http://www.flickr.com/photos/55012385@N07/

MIDTERM : sensory and memory

http://www.flickr.com/photos/55032791@N06/sets/72157625208389864/show/

須藤元気（Genki Sudo） 「WORLD ORDER」の"MIND SHIFT"フルver.PV

belle and chy :D

http://www.pleatfarm.com/2010/07/23/biodynamics-structures-in-san-francisco/

ORIPA, an editor for designing crease patterns of Origami works.

http://mitani.cs.tsukuba.ac.jp/pukiwiki-oripa/index.php?ORIPA%3B%20Origami%20Pattern%20Editor

AutoCAD for Mac

Download a free trial version..........here.

http://www.dailytonic.com/softblock-modular-system-with-led-lighting-by-molo/

http://www.archiexpo.com/prod/molo/office-partition-4374-20248.html

4th Year Midterm Review - Aj Narin's Group

tomorrow at 9am - 12noon, room 308

drop by if you are in the campus

and post the photos from midterm review

thanks

post photos / videos from midterm review

either here or in flickr / picasa / youtube

and post a link here as slideshow

thanks

Worrying solves Nothing

http://www.dezeen.com/2010/10/13/dezeen-podcast-stefan-sagmeister-at-vienna-design-week/

Amazing works and Podcast by Stefan Sagmeister

listen+download the podcast

SIGGRAPH - Electronic Theatre - Choose 16

SIGGRAPH Asia 2010 Registration

for Electronic Theatre, choose

Thursday 16 Dec 2010: 19:00~21:00

Let me know if you already chose something else.

Electronic Theater

A two-hour overview of the best animations, visual effects, and scientific visualizations produced in the last year. The jury assembled this show to represent the must-see works in computer graphics for 2010. The Electronic Theater also includes a few pieces shown by special invitation. On opening night, 16 December, the Electronic Theater begins with presentation of the Computer Animation Festival's Best of Show and Best Technical Awards.

Oct 12 : Midterm

BRING CAMERA FOR MIDTERM.
Come in at 7am or earlier to setup.
 You won't have time to setup after 9am
as you will have to take photo/vdo while the other group
is presenting and take note of the discussion for your friends

(see the table below for which group you are responsible for).

Let me know if you have any question or concern.
All the best, m

ROOM 404
time           group          Note/Photo/Vdo by

 7:00 -  9:00  Setup

 9:00 -  9:30  Mint + Champ   Nill + Palm
 9:30 - 10:00  Belle + Chy    Mint + Krist
10:00 - 10:30  Wawaa + Bow    Belle B + Fai
10:30 - 11:00  Tony + Nill    Belle S + Wawaa
11:00 - 11:30  Belle + Fai    Bow + Tony
11:30 - 12:00  Palm + Krist   Chy + Champ

12:00 - 13:00  Lunch

13:00 - 14:00  Group Discussion

               / Reevaluation

SIGGRAPH Registration

Registration Instruction for Siggraph Asia 2010,

   1. Click http://www.siggraphasia2010.co.kr/ , choose Group Registration
   2. Choose “Group Member”
   3. Then input the code given by you at “Conference Code” box
   4. Then input ACM student membership number

       to move to the personal info page, fill in the survey, finish.
   5. You will receive a confirmation letter to your e-mail.
   6. About 1 week before the conference you will all receive

       another confirmation with barcode,

       please print and take them to our venue.

Register for ACM then e-mail me

for Conference Code

Money

INDA will return 1,000 baht from SIGGRAPH registration

get your money from K.Sai in the office

actionscript question

Aj Moe,
I have chosen to go with the Array method (once again, flash security is acting up), but I've run into a few difficulties. If you recall on the last presentation, I used Array with my AR to change the x,y position of the cubes randomly. That method, however, produced effect only when I restart flash player. This time, I want it so that the random effect take place every time the marker is detect (so that I do not have to restart flash quite so many time in the presentation) and I'm not sure how to produce that effect!

A bit lengthy but here's my code

package
{
import com.transmote.flar.FLARManager;
import com.transmote.flar.marker.FLARMarker;
import com.transmote.flar.marker.FLARMarkerEvent;
import com.transmote.flar.utils.geom.FLARPVGeomUtils;
import com.transmote.utils.time.FramerateDisplay;

import flash.display.Sprite;
import flash.events.Event;
import flash.media.Video;
import flash.net.URLLoader;
import flash.net.URLRequest;

import org.libspark.flartoolkit.support.pv3d.FLARCamera3D;
import org.osmf.image.ImageLoader;
import org.osmf.swf.SWFLoader;
import org.papervision3d.materials.BitmapFileMaterial;
import org.papervision3d.materials.MovieMaterial;
import org.papervision3d.objects.DisplayObject3D;
import org.papervision3d.objects.primitives.Plane;
import org.papervision3d.render.LazyRenderEngine;
import org.papervision3d.scenes.Scene3D;
import org.papervision3d.view.Viewport3D;



[SWF(width='640', height='480', backgroundColor='#000000', frameRate='40')]

public class midtermv2 extends Sprite
{
private var fm:FLARManager;
private var scene:Scene3D;
private var view:Viewport3D;
private var camera:FLARCamera3D;
private var lre:LazyRenderEngine;
private var p:Plane;
private var con:DisplayObject3D;
private var marker:FLARMarker;



public function midtermv2()
{
initFLAR();

}

private function initFLAR():void
{
fm = new FLARManager("flarConfig.xml");
fm.addEventListener(FLARMarkerEvent.MARKER_ADDED, onAdded);
fm.addEventListener(FLARMarkerEvent.MARKER_REMOVED, onRemoved);
fm.addEventListener(Event.INIT, init3D);
addChild(Sprite(fm.flarSource));
}

private function onAdded(e:FLARMarkerEvent):void
{
marker = e.marker;
p.visible = true;

}

private function onRemoved(e:FLARMarkerEvent):void
{
marker = null;
p.visible = false;

}

private function init3D(e:Event):void
{
scene = new Scene3D();
camera = new FLARCamera3D(fm.cameraParams);
camera.z = -30;
view = new Viewport3D(640, 480, true);
lre = new LazyRenderEngine(scene, camera, view);

var val:Array = ["pat.jpg", "pat2.jpg"]

var a:String = (val[int(Math.random() * val.length)]);

var mat:BitmapFileMaterial = new BitmapFileMaterial(a);

p = new Plane(mat, 320, 240);
p.scaleY = -1;
p.rotationZ = -90;
p.visible = false;

con = new DisplayObject3D();
con.addChild(p);

scene.addChild(con);
addChild(view);
addChild(new FramerateDisplay());

addEventListener(Event.ENTER_FRAME, loop);
}

private function loop(e:Event):void
{
if(marker != null)
{
con.transform = FLARPVGeomUtils.convertFLARMatrixToPVMatrix(marker.transformMatrix);
}
lre.render();
}
}
}

The related lines of code is in the italic, and you can see what I did is set up an array, make a string variable call "a" which is equal to random string from the array, and then I parse "a" variable into the BitmapFileMaterial data (so AR will load that jpg)

You can see that they are all in the "init3D" function, and it work OK just like the last AR presentation with the cube. Now, however, I want the var a:String = (val[int(Math.random() * val.length)]); to take place in the "onAdded" function so that when the marker is detected, it select a random string from the array and then parse it to the
BitMapFileMaterial in the init3D function (so that I would get a random image every time marker is detected). I'm not quite sure how, becuase whenever I separate the var a:String = (val[int(Math.random() * val.length)]); and var mat:BitmapFileMaterial = new BitmapFileMaterial(a); into different function, the error comes up and say "a" is an undefined property.

Please help if you have the time, this'd been bugging me since yesterday. If you think its too much of a technical thing right now, I will leave it as is (restart flash every time to see random) and go work on production

PS. could it also be that init3D function needed to be nested inside the onAdded function for it to work. And sorry for being wordy on this post

132.5 by Issey Miyake

http://www.dezeen.com/2010/10/05/132-5-by-issey-miyake/

very nice

SIGGRAPH update

Your SIGGRAPH Asia 2010 pass is purchased today.

Please register for ACM Student member to complete the registration process:

https://campus.acm.org/public/qj/QuickJoin/qj_control.cfm?form_type=Student

It's USD $19. Please confirmed once you register in the Google Doc

We got 16 passes, means that there are only 4 people joining us for SIGGRAPH.
Can you let me know who are those 4?

Thanks,

m

updated

meeting tailor tmr at pahurad

i'm marking the ar tag location for sewing process tmr

hopefully this project would be done on time even the possibilities are less

aj moe do you have any comment on the arrangement of the ar tag ka?

final pattern for pleating this size is on a4

but will be printed on fabric(2m x 3m) for pleating

Quote changed

I wish to have a real model photographed to put in my A4 too but as I went to the factory early this morning, there is not much progress done yet in terms of assembling ,at the moment the components are still in heavy parts. Plus accidentally found this interesting way to have free movements in the joints of the metal columns, by recycling the old steering wheel joint and modifying it to fit in each segment of the column. (imagine ball joint) by utilizing it i have more than 2 ways of rotation of the previous design of U-joint. From what i talked to you in the studio class on friday of having a Ping-Pong ball inside the 2 pieces, its the same idea, but the Ping-Pong ball is not strong enough to withstand the force and the ball inside has to be metal. My factory can make the metal ball that can fit into my design as what ever measurement thus it is very-time consuming,so it was kinda lucky that i found the old steeringwheel, otherwise the design might have to change back to the previous one. The u-joint allows users to interact in only 2-Dimension while the ball joint in 3-Dimension, and this is what we want.

U-joint

Ball joint

Japon by France Goneau

ceramic sculpture by Canadian ceramicist, France Goneau

http://www.contemporist.com/2010/10/02/japon-by-france-goneau/

A4 Progress

Tony + Nill : Fix the quote, then email the PDF

Mint + Champ : Add quote and fix layout if needed, then email the PDF

Belle + Fai : Fix layout if needed, then email the PDF

Bow + Wawaa : Finish the proposal, then email the PDF

Krist + Palm : done

Belle + Chy : done

Ornament & Columns

This is how the mechanism for the ornament that adorns the column will look. As seen, once the room (and therefore the column) gets pushed up and down, the ornaments on it appears differently. Hence CONTAINER --> ORNAMENT

A4 final Bell and Fai

แบบ

แบบ

work plao a?

test1

Well as you can see, they all work, the one circle with red works the best, blue the worst
I'm thinking that the bigger it is the better it work also (the worst one is the same shape as the one on the far right)

แบบ

which pattern can work best

i think the extreme angels are cool to look at ah haha

but yup tell me la gun

pattern for pleating

krist pls test this if its working

if yes then i will try to do the print screen by monday

this will be the pattern for print screen on fabric (2m x 3x for pleating )

Krist + Palm board final

i need tailor

anyone has good tailor pls tell me asap

Mint & Champ A4

Calling for labor !!!!

anybody has labors at home pls contact me

i need a team of labors who can sew

thanks ja

Usman Haque: Notes on the Design of Participatory System

http://www.psfk.com/2010/09/video-usman-haque-psfk-conference-london-2010.html

Final A4 PDF by Saturday

Send final A4 PDF of your project by tomorrow (Saturday, Oct. 2).

It'll be used to invite guests in for midterm review.

Again,

Final A4 PDF of your project by Saturday, Oct. 2

Drawing + Presentation Examples

http://www.presidentsmedals.com/

examples of student projects

some are pretty good

BELLE+CHY Leather configuration

2 FAI+BELLE

Effects of interaction with ornament on container/ space

Here is an experiment as to how space might be perceived (architectural space) from the interplay of the object that we are designing. Some spaces could be identified as large/ convention hall/ amphitheater/ partitioned rooms...if so, how would their ornaments appear to be...

A pavilion

Semi-public space

Private/intimate space

However, we can see that these interpretations are highly subjective. Thus we will come up with a systematic way of catalog to categorize these spaces as well.

ADDITION FAI+BELLE

Experiment

This is a pair of glove that I made out of A4 paper to work on a bit
I've paint some part so that the AR pattern would be detect when I made certain hand gestures
(the red rectangle lines over the pattern means that the tag is recognized)

1. Making OK sign

2. Weave 2 hands together
3. Make a fist


still deciding what to make the AR program shows, but right now, with the theory of
post-structuralism in mind, I'm thinking that we can re-establish the semiotic
of gesture (because the problem with semiotic is that a sign can means anything so it got no meaning) by showing AR image with the gesture.

Krist n Palm

Addition: Triangular unit (Belle & Fai)

This is an example of a unit of triangle that will be the main components of our installation. The unit will be made of 1 inch wood (1 '' by 1 '') and consists of 3 sizes. This is the smallest size, 30 centimeters in length on each side of the triangle. As for the structure of the frame, even though the poster is rendered as wood, we plan to use metal. However, we are still concerned with the price and the time it would take them to do it when we hire. Actual samples of the unit will be brought to class on Friday.

Update: INTERACTIVE ORNAMENTS

SPACE IN MEMORY (Belle & Fai)